The three characters try to come to terms with the time that has passed, which reemphasizes Celestina’s problem of identity. When Anibal’s brother Nelson, played by Dearborn comic Frank Gutierrez, visits the couple, they learn that two years have passed in the outside world. The two spend a night together, represented in the play by a 20-minute scene. “The play explains how, when you are in love, time doesn’t feel normal,” said Ben Stange, the play’s director and a 2010 alum of the University’s School of Music, Theatre & Dance. The twist of time begins for both of them. He gives her a ride, and their romance blossoms quickly. When the play introduces her, she looks 25 but is 54 years old, and has been pregnant for two years.Ĭelestina meets Anibal, played by Dearborn actor Samer Ajluni, at a bus stop while waiting in “the storm of the century” for a bus that never seems to arrive. She miraculously - and cursedly - doesn’t experience time like other people. if things had happened differently,” Medelis explained.īut it’s the play’s mysterious and magical main character, Celestina, played by local actor Jamie Weeder, who shapes the dramatic and comedic plot. of the future, or of yesteryear, but of a different L.A. The show takes place in Los Angeles, but it’s not the city audiences would recognize. In “Cloud Tectonics,” magical realism shapes the main character and the setting. Rivera, the award-winning Puerto Rican playwright whose script for “The Motorcycle Diaries” was nominated for Best Adapted Screenplay at the 2005 Academy Awards, is known for his innovative theatrical use of “magical realism,” in which characters’ interactions are realistic, but the world in which they occur is altered. Rivera’s 1995 work “Cloud Tectonics” fit the bill. The creative director of Ann Arbor’s The New Theatre Project (TNTP), Keith Paul Medelis, wanted to include a play in TNTP’s first season that was revolutionary in the history of theater.
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